Geoffrey Sneyd Garnier: The Printmaker of Newlyn
While many in the Newlyn School sought to capture the Cornish light through oil on canvas, Geoffrey Sneyd Garnier (1889–1971) approached the coast with the precision of an engineer. A former gold prospector in the Yukon, Garnier arrived in Newlyn in 1913 to study under Stanhope Forbes, eventually becoming the colony’s preeminent master of etching and engraving.
A Technical Master in an Oil-Painted World
Garnier was unique among his contemporaries for his devotion to printmaking. His background in engineering translated into a meticulous technical skill that he even shared with the renowned painter S.J. "Lamorna" Birch, whom Garnier taught to etch.
Working out of Orchard Cottage off Trewarveneth Street in Newlyn with his artist wife, Jill Blyth, Garnier became a central figure in the Newlyn and Lamorna social circles. He was particularly famous for his revival of 18th-century aquatint techniques, allowing him to produce atmospheric, tonal works that captured the mist and grit of the Cornish coast.
Newlyn Harbour in Ink
Garnier's work frequently centers on the industrial pulse of Cornwall. His etchings of Newlyn Harbour—such as this piece which sold for £90—are celebrated for their intricate depictions of:
Maritime Life: The tangled masts of fishing luggers and the historic naval vessels that frequented the bay.
Architecture: The steep, crowded silhouettes of Newlyn’s old town rising above the water.
Atmosphere: Subtle gradations of light achieved through painstaking acid-etching processes.
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| Etching by Geoffrey Sneyd GARNIER (1889-1971) Newlyn Harbour Etching, signed, titled and inscribed, HxW 21.5x27. |
Second to go under the hammer was this watercolour sketch, artist unknown titled, "Newlyn Fish Market". This simple watercolour sketch measured 11x17.5 cm with Somerset & Wood fine art company label on the reverse. Although unsigned, this original work made £280!

























