The St Georges, brings home the fish again...
watched over by this year's resident flock of turnstones and a hungry looking gull still on the lookout for an easy breakfast from the now quiet market.
The St Georges, brings home the fish again...
watched over by this year's resident flock of turnstones and a hungry looking gull still on the lookout for an easy breakfast from the now quiet market.
It has been a chilly, brisk start to February 2026 down on the quayside, but the atmosphere inside the Newlyn Fish Market remains as white-hot as ever. As Ocean Fish continues to source the very best of the Cornish catch, this week’s auctions have provided a fascinating snapshot of a fleet in full swing, navigating both traditional seasonal patterns and some surprising modern "blooms."
Here are the standout features from the market floor this week:
If there was a theme to Monday’s opening bell, it was undoubtedly net and line caught bass. The market was awash with silver this week; as the saying goes on the harbour, there was "bass everywhere you look." The quality has been superlative, with the local inshore fleet bringing in stunning, firm-fleshed specimens that are currently the crown jewel of the auction. For chefs and retailers looking for that iconic Cornish plate, the supply has rarely looked better.
In a fascinating shift that has become a recurring headline for 2026, the Mediterranean Octopus ( Octopus vulgaris ) continues to show up in significant numbers. What was once a rare visitor to the Southwest is now a consistent staple of the Newlyn auctions. These "blooms" are providing a welcome boost for the mixed-fishery boats, with high-quality octopi being diverted straight to the vivier tanks and processors to meet growing continental and domestic demand.
While the netters have been busy with bass and pollack, the beamers—led by the likes of the St. Georges—have been landing a steady supply of prime flatfish and Monkfish. Of particular note was a magnificent 150kg Bluefin Tuna that graced the market earlier in the week, reminding everyone of Newlyn’s status as a premier port for high-value, sustainable Atlantic species.
Beyond the species, the "feel" of the market is evolving. Under the stewardship of W Stevenson & Sons, the transition toward a more digitally integrated auction is paying dividends. We are seeing more robust grading and quality control, which gives remote buyers the confidence to bid alongside those of us physically on the tiles. This synergy is ensuring that the hard work of vessels like the Silver Dawn, Britannia V, and Ajax is reflected in the premium prices their catches deserve.
Of great relvance to Newlyn, a beacon of data-driven insight has emerged from the north. The Scottish Inshore Fisheries Integrated Data System (SIFIDS) has released its final report —a document that attempts to bridge the gap between the unseen movements of the inshore fleet and the regulatory frameworks that govern them.
The report, titled "Identifying fishing activities and their associated drivers," marks a significant step forward in how the industry might navigate the "spatial squeeze" of the 21st century. For a region likethe Suth West, which has long relied on the intuition and hard-won knowledge of its skippers, the findings offer a glimpse into a future where technology and tradition are increasingly intertwined.
The report focuses on a perennial challenge for the inshore sector: the lack of high-resolution data. While larger offshore vessels are tracked with precision, the activities of smaller inshore craft have often remained in the shadows of official datasets. The SIFIDS team utilized Automatic Identification System (AIS) data to track vessel movements, but they went a step further—investigating whether these digital footprints could be used to accurately infer specific fishing patterns.
The report identifies that the "drivers" behind every haul are manifold, ranging from weather patterns and seasonal biological cycles to the economic pressures of market prices and fuel costs. By analysing these drivers, the study provides a more granular understanding of how the fleet operates within the marine environment.
A central theme of Through the Gaps! is breaking the disconnect between the work performed at sea and the policy decisions made on land. The SIFIDS report serves this mission by providing a robust, objective evidence base. In an era where offshore renewable energy projects and Marine Protected Areas (MPAs) are competing for the same stretches of water, having "digital proof" of fishing grounds is no longer a luxury—it’s a necessity for the industry's defense.
The study emphasises that involving the industry in data collection is paramount. Over 130 vessel skippers participated in the wider SIFIDS project, proving that when fishermen are treated as partners in research, the results are both more accurate and more respected. This collaborative approach mirrors the spirit of the Newlyn community, where the digital lighthouse and physical labor must work in tandem.
As the industry moves toward a "Digitalisation Roadmap," reports like this one from the SIFIDS project provide the coordinates. They remind us that while the sea remains a volatile and four-dimensional workplace, the tools we use to understand it are becoming sharper.
For the readers of Through the Gaps!, the SIFIDS report is a reminder that the future of fishing lies in the data. Whether it’s documenting the arrival of the morning market or mapping the high-value grounds of the inshore fleet, the goal remains the same: ensuring that the vital work of the fishing community is recognized, respected, and protected for the generations to come.
Watch: Introduction to the SIFIDS Project
Early Monday morning manoeuvres in the dark...
it seems an age since these appeared on the market...
cracking bream...
too many dogs for one boat...
a market full of net caught fish this morning...
and there is bass everywhere you look...
and octopi too...
plenty of pollack...
bass...
bass...
more bass...
and still more, the sea must be full of bass...
hake catches are a bit patchy for the likes of the Silver Dawn...
Britannia V...
Ocean Pride
Stelissa...
and Ajax...
slip time for the Trevssa IV...
all set to be loaded aboard this waiting barge and towed over to the Scillies...
loooks like plenty of work on the nets for the boys aboard the Joy of Ladram...
both Admirals from the Interfish fleet at rest, boxes at the ready.
While many in the Newlyn School sought to capture the Cornish light through oil on canvas, Geoffrey Sneyd Garnier (1889–1971) approached the coast with the precision of an engineer. A former gold prospector in the Yukon, Garnier arrived in Newlyn in 1913 to study under Stanhope Forbes, eventually becoming the colony’s preeminent master of etching and engraving.
Garnier was unique among his contemporaries for his devotion to printmaking. His background in engineering translated into a meticulous technical skill that he even shared with the renowned painter S.J. "Lamorna" Birch, whom Garnier taught to etch.
Working out of Orchard Cottage off Trewarveneth Street in Newlyn with his artist wife, Jill Blyth, Garnier became a central figure in the Newlyn and Lamorna social circles. He was particularly famous for his revival of 18th-century aquatint techniques, allowing him to produce atmospheric, tonal works that captured the mist and grit of the Cornish coast.
Garnier's work frequently centers on the industrial pulse of Cornwall. His etchings of Newlyn Harbour—such as this piece which sold for £90—are celebrated for their intricate depictions of:
Maritime Life: The tangled masts of fishing luggers and the historic naval vessels that frequented the bay.
Architecture: The steep, crowded silhouettes of Newlyn’s old town rising above the water.
Atmosphere: Subtle gradations of light achieved through painstaking acid-etching processes.
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| Etching by Geoffrey Sneyd GARNIER (1889-1971) Newlyn Harbour Etching, signed, titled and inscribed, HxW 21.5x27. |
Second to go under the hammer was this watercolour sketch, artist unknown titled, "Newlyn Fish Market". This simple watercolour sketch measured 11x17.5 cm with Somerset & Wood fine art company label on the reverse. Although unsigned, this original work made £280!
A new report, the Fishing Industry Social Survey (FISS), shares the findings from the first-ever national, statistically robust, and open-access dataset focused on the everyday lives and views of fishermen in England. The survey was commissioned by the Department for Environment, Food and Rural Affairs (Defra) and conducted between January and March 2025. The aim was to gather social information to complement existing data on economic performance and fleet composition.
The FISS reports the following key findings:
Recommendations and Looking Ahead
The FISS headliner report does not contain specific recommendations, but it outlines how the survey results will be used and how the process will continue. The results are intended to provide a more accurate representation of life in fishing communities, helping to inform future policies that ensure a sustainable and prosperous industry.
The intention for the future is as follows:

Men at work - migrant fishing crew in Newlyn.